Korg CA-30 Chromatic Tuner - why wouldn’t you buy one?
July 20, 2008 by Gary · Leave a Comment
When beginning instrumentalists get their new instruments, they make sure they have the latest looking “slick” case, a “cool” neck strap, even a music stand and an accessory kit. But for a now “cheap” price, they could own an equally important piece of equipment–an electronic tuner.
The early electronic tuners, like the Conn strobes, used tubes and cost hundreds (even thousands if you wanted the big unit that showed all of the pitches). These units converted the varying voltages from a microphone to flashes of light in gas tube. When the spinning translucent tuning wheel was placed in front of the flashing light, the familiar “strobe” pattern would indicate flat or sharp. The larger unit nearly required a truck to move it around.
I remember my first electronic tuner. It cost several hundred dollars, but I was excited to have a portable tuning device. Since I played guitar and trombone, professionally, it was valuable to have a quality tuning device. Before the advent of electronic tuners, guitar players kept tuning “up”. If they went out of tune, they tuned “up”. It drove me crazy, because combo pitch was a moving target. I always insisted on playing in groups with keyboard players, because those instruments provided a solid reference.
Now for around $20.00 to $30.00, students can have a high quality electronic tuning device. As a teacher of music for over 30 years, I have learned that people learn to hear certain pitch distortions on their instrument as being “correct”. I have sat next to trumpet players who hear everything sharp as being correct, and played with low brass players who accepted the construction problems inherent in their instruments. They accepted the faulty intonation and “learned” those pitches, incorrectly. The electronic tuners will solve this.
As soon as the instrument and the player is warmed-up, turn on the tuner. Set-up the horn correctly and check problem notes. Keep the tuner handy during the practice session. Understand that tuning is a “learned” process, and the tuners will set you on the right course. I know that playing “in tune” is playing “in tune” with an ensemble. But, tuners do allow for standardization and help to eliminate the serious tuning distortions that befall some beginning instrumentalists.
Buy a Korg CA-30. It has a needle that is calibrated in “cents”. Since 100 cents equals a semitone or musical half step, musicians can get an idea how high or low they are. Two red LED’s on either side a green LED show when the pitch is flat or sharp. The green LED lights when the pitch is correct. (Great in dimly lit rooms). The unit utilizes “auto-sensing” and locks onto the strongest tone. There is no need to spin a dial to the correct pitch. There is a 1/4 inch phone plug input for electric guitars or a remote microphone. This input is an option, however, because the built-in microphone is ample for most applications.
When the Korg CA-30 is first turned on, it is calibrated to A=440, the international pitch standard. There is a calibration adjustment, so the user can change the reference pitch and resulting needle display. The reference pitch is displayed in the window. Two audible tones (A or Bb) are available. Sounding through the built-in speaker, these are reference pitches for audible tuning. The unit is very compact and will fit in the instrument case.
The Korg-CA30 is a winner, and I recommend it to all of my students. I can’t believe that anyone would try to study music without having a tuner like this. In my opinion (formed after 30+ years of teaching), a Korg CA-30 tuner and a metronome should be sold with every instrument as part of the accessory kit. Pitch and time are two essential elements of music. Modern electronics has provided us with these quality accessories at an affordable price. The following description is from Musician’s Friend. The Buy Now link takes you to their online store.
Several second hand or discounted units are available on Ebay. The following links will take you there.
Selecting the “right” guitar for beginners
Guitars range in price from the “cheap” imports to the Gibson Custom Shop models that I play. Guitars can even range beyond to the custom instruments made by “world class” luthiers (makers of string instruments). Read more
Gibson ES-175 - My choice electric
July 20, 2008 by Gary · Leave a Comment
Gibson’s famous archtop electric, the ES-175, is the guitar of choice for those wishing to create that smooth jazz guitar sound. Found in the hands of many artists, the instrument’s sound is produced by the larger resonant soundbox. The “f holes” allow sound to re-enter the instrument and that resonance is transfered to the strings–thus the sustain and the “smooth” sound favored by Jazz players. Though many different types of music can be and is played on the Gibson 175, the instrument sings in the more lyrical musical venues. Read more
Review: “Flashpoint” by John Moss
July 20, 2008 by Gary · Leave a Comment
John Moss has provided the band world with another terrific band composition. “Flashpoint” is one of his latest “educational music” renditions published by Hal Leonard. John composed the piece as a commission project collaboration with Michigan’s District VIII MSBOA, who funded the project.
His music is always interesting as he seeks a “non-formula” viewpoint within his traditional “pantonal” language. His background as a commercial writer provides a wide viewpoint, but his music is never commercial. The compositions of John Moss are always musically sound and compositionally well-crafted.
Hal Leonard has released a CD, entitled “The Music of John Moss”. It is a quality reference recording for band directors and students alike.
Bandroomzoo “Rolls out” the FREE Downloads!
July 20, 2008 by Gary · Leave a Comment
Music Educator Materials and Teaching & Learning Aids sections of Bandroomzoo.com are populated with free downloads. In pdf format (Acrobat files), these materials are formated for ease of use.
Topics include everything from scale sheets, audition forms, and articles to workshop materials. Check out the Music Educator Materials page and the Teaching & Learning Aids page for the latest materials.
GIBSON SJ-200 - A “big sound” for all styles!
July 19, 2008 by Gary · Leave a Comment
Gibson’s SJ-200 is the “King” of the Flat-Top Guitars. SJ means “Super Jumbo” and the design produces a super sound. My personal instrument came from the Gibson Custom Shop in Montana, and has beautiful koa wood on the back and sides. The fretboard is white-bound, as is the body and headstock. The guitar features the classic 25.4″ Gibson scale. The top is spruce, the neck is maple (with a dark center strip) and the fingerboard is ebony with pearl crown inlays. Gibson has kept the vintage look with the tortoise plastic engraved pickguard and the open moustache rosewood bridge with 4 pearl rectangular and 2 dot inlays. the purfling is alternating black and white. The black peghead with pearl logo and crown inlay is enhanced with the custom shop decal on the back. Read more
Review: “Troubadour” by George Strait
July 10, 2008 by Gary · Leave a Comment
The latest CD release by George Strait - “Troubadour” exhibits content that is a continuation of the superlative career of George Strait. His fabulous instrumental support is reflective of production processes in Country Music that go beyond just “Country”. Some of the finest steel guitar, lead guitar, and violin playing provides counterpoint to Strait’s trademark baritone voice. The vocal harmony parts are presented, always, in proper balance (if slightly subdued) and the rhythm section support always enhances. Read more
Elvis Presley - Let history get it right
July 8, 2008 by Gary · Leave a Comment
Elvis Presley’s Graceland, with its real life and death focus on the man; Sam Phillips’ Sun Records, and the “Memphis” sound; Colonel Tom Parker and his intelligent promotion; Mississippi Gospel roots; and the global impact on music produced by the combination of all of this, came into focus for me while walking the grounds of Graceland on the southern outskirts of Memphis, Tennessee. Read more




